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I really enjoyed the session, "Working Abroad in Asia or Middle East," because panelists openly shared personal, lengthy stories about cultural experiences in another country.
Panelists emphasized, first of all, that being a good correspondent means knowing the logistics of working in a rural combat zone: how to dig a latrine, building a fire with no matches, making sure you don't step in the wrong puddles to avoid cholera.
Beyond dealing with the physical risks of working in a different country, reporters must also balance their reporting with political implications. It can be a moral, ethical and professional dilemma, panelists said. Sometimes, there are road blocks, literally, with child soldiers holding Ak-47s. Other times, being an American during tense political situations can help you across borders or land you in jail.
Then, once you get around to writing the story, often it takes extra effort to stay relevant to American readers. For example, most Americans can relate to a story about China's emerging middle class. What could be fascinating to a correspondent could also drive away American audiences. Occasionally, however, the news value will trump that fear.
News organizations are looking for people who are culturally aware, bilingual (without an accent) and ready to sacrifice much of a personal life to remain committed to the job.
Even better, said Tomoko Hosaka, a reporter with the Associated Press, go to the country and establish yourself there rather than wait for a news organization to send you, since it's less expensive for them if you're already settled.
And surprisingly, foreign correspondence, though cut from many newspaper budgets, is a growing area of journalism.
"If you have those skills, it's a booming market," Hosaka said.
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Saturday, August 13, 2011
Watchdog Journalism 101
On Thursday, I also attended a workshop on watchdog journalism. I initially thought the session would discuss the ethics of watchdog and investigative journalism in a digital age. Instead, a reporter, editor and executive from The Detroit Free Press presented a how-101 class.
Jeff Taylor, a senior managing editor, said that even in an age where celebrity gossip generates thousands of hits on a news site, well-written investigative stories, too, draw high readership and high reader interaction.
Investigative journalism doesn't only mean watching City Hall. It could also include partnerships between a seasoned investigative reporter and one with an expertise in the arts and nonprofits.
Journalists often say they don't have the time to do watchdog. Taylor said despite writing daily news, journalists must also be creative and carve out the time to stay relevant to their community. You can chip away at a story, one find at a time, he said.
For Jennifer Dixon, investigative reporter, one story led to another. She started with a basic minimal story on how much pensions were costing the city, which led to articles on middle men hired to pitch deals that fell apart, the deal on the pension lawyer and a follow-up story one year later on how pensions ultimately cost the city $480 million. Her relentless pursuit of the issue led to another infamous one about Mayor Kilpatrick taking bribes.
In honor of keeping watchdog journalism alive, the Detroit Free Press offers a yearly $5,000 award for original watchdog and digital innovation stories, open to all.
Jeff Taylor, a senior managing editor, said that even in an age where celebrity gossip generates thousands of hits on a news site, well-written investigative stories, too, draw high readership and high reader interaction.
Investigative journalism doesn't only mean watching City Hall. It could also include partnerships between a seasoned investigative reporter and one with an expertise in the arts and nonprofits.
Journalists often say they don't have the time to do watchdog. Taylor said despite writing daily news, journalists must also be creative and carve out the time to stay relevant to their community. You can chip away at a story, one find at a time, he said.
For Jennifer Dixon, investigative reporter, one story led to another. She started with a basic minimal story on how much pensions were costing the city, which led to articles on middle men hired to pitch deals that fell apart, the deal on the pension lawyer and a follow-up story one year later on how pensions ultimately cost the city $480 million. Her relentless pursuit of the issue led to another infamous one about Mayor Kilpatrick taking bribes.
In honor of keeping watchdog journalism alive, the Detroit Free Press offers a yearly $5,000 award for original watchdog and digital innovation stories, open to all.
Thursday, August 11, 2011
Mobile News: Getting News Now and On-the-Go
Today I attended two workshops on digital journalism: the first, about tools for mobile news, the second, on watchdog journalism, which will come in a later post.
In "The Future of Journalism: Going Mobile," the presenters emphasized tablets similar to the iPad. "The only game in town is the iPad," said Paul Niwa. He sought to dispel the enigma of programming and codes, saying any and every journalist now has the tool to create their own mobile applications.
"You don't have to be a geek to embrace the ability to make some of these new things," said Gil Asakawa.
For example, some tools are useful: Adobe InDesign offers a free plugin for its publishing suite. Newsstand, an iPad app, centralizes news and magazines. Sophie: provides an open source publishing platform in html5, without the complexity of Flash script. Niwa also mentioned Android app inventors and Push Pop Press, an app publisher recently bought by Facebook that makes books interactive. Layar is another tool of "augmented reality," allowing consumers to pull up information on their phone just by pointing their mobile device at an object.
The advantage of creating applications is its compact nature. An entire multimedia package can be created and read on the go, on your phone or on a small screen. And now, more than ever, people want to see that information, in a contained, easy-to-digest story, from wherever they are.
"People want to see their media immediate," Niwa said.
In "The Future of Journalism: Going Mobile," the presenters emphasized tablets similar to the iPad. "The only game in town is the iPad," said Paul Niwa. He sought to dispel the enigma of programming and codes, saying any and every journalist now has the tool to create their own mobile applications.
"You don't have to be a geek to embrace the ability to make some of these new things," said Gil Asakawa.
For example, some tools are useful: Adobe InDesign offers a free plugin for its publishing suite. Newsstand, an iPad app, centralizes news and magazines. Sophie: provides an open source publishing platform in html5, without the complexity of Flash script. Niwa also mentioned Android app inventors and Push Pop Press, an app publisher recently bought by Facebook that makes books interactive. Layar is another tool of "augmented reality," allowing consumers to pull up information on their phone just by pointing their mobile device at an object.
The advantage of creating applications is its compact nature. An entire multimedia package can be created and read on the go, on your phone or on a small screen. And now, more than ever, people want to see that information, in a contained, easy-to-digest story, from wherever they are.
"People want to see their media immediate," Niwa said.